i was looking up historically accurate clothing as a bit of art inspiration and found the online museum of saudi arabian costume.
there’s a bunch more gems just like these and they’re all so beautiful and unique. there’s also great information about the clothing, too, such as how they were made, who wore them, what fabrics were used, what the different parts of the costumes were called, etc. just a really fun and informative site and i thought i would share my find.
*sobs* I just wanna have nice things…
Sir Lawrence Alma-Tadema,The Roses of Heliogabalus (1888) details.
Mermaid by Sergey Kolesov
Ok, that’s fucking terrifying and cool.
woah I love this interpretation of mermaids. not human sized, but the size of like a blue whale
TITANS IN THE WATER
Xu Bing — Tian Shu (Book from the Sky), 1987-1991
Tian Shu is comprised of a display of books spread in a large rectangle across the ground, above which voluptuous scrolls unroll in long, pregnant arcs. The books—four hundred of them—are handmade with reverential adherence to the standards of traditional Ming dynasty fonts, bookbinding, typesetting and stringing techniques.
To make them, Xu painstakingly carved Chinese characters into square woodblocks, in just the way his ancient printing predecessors would have done, had them typeset and printed, and the printed pages mounted and bound into books and scrolls.Yet, there’s the astonishing, Borgesian catch: out of the three or four thousand Chinese characters used in these volumes and scrolls, not a single one of them is a real Chinese character. They are made up of recognizable radicals and typical atomic components of Chinese characters, but Xu laboured to ensure that while they all retain the unmistakable look of Chinese script, they are all, so to speak, nonsense. They do not exist in any dictionary, and do not mean anything. Chinese speakers and non-Chinese speakers alike approach the books with the same sense of wonder at their beauty, and the same sense of incomprehension at their content. It’s a piece of art whose meaning is to be found in its meaninglessness. (via)
Concept: Jon Emmony, Lou Stoppard
Direction: Jon Emmony
Drag Race contestants walk LA fashion week for Marco Marco [x]
So I was chatting with the lovely Justin Oaksford yesterday, and he casually asked if I used photo reference for my recent Rolemodels piece- not as a bad thing, but because the pose and the camera angle read well. Pretty sure I grinned like an idiot when he brought it up because, goddammit, I’m proud that the work shows! I’ve felt like my work has been somewhat stilted as of late- I could feel myself subconsciously trending towards easier angles, easier poses, easier expressions just because it’s slightly less frustrating for my brain to process- so getting that confirmation from a colleague was pretty damn satisfying.
I think there’s a tendency for artists to take pride in being able to draw out of your head, and, while that’s an admittedly important skill, what’s actually important is what that skill implies- it implies that you’ve internalized reference. That you’ve spent so much time looking at the world around you, studying it, drawing from it, breaking it down, that you’ve amassed an extensive mental library that you can draw from. You are Google reborn in the shallow husk of a human being.
But heck, the world’s a big place- what are the chances that you ever get to a point that you’ve internalized all of it? Internalized it AND ALSO are never going to forget it ever? Probably no chance at all. Sorry buddy. So rather than bemoaning the fact that we don’t have impenetrable search engine cyborg brains- yet- you sure as hell better still be using reference to fill in/refresh those empty shelves in your mental library. You shouldn’t have worm-ridden books about dinosaur anatomy from the 60’s in there. Stegosauruses with brains in their tails? CLEAN THAT SHIT OUT.
So my general process for using reference of any sort is:
- loose thumbnails and brainstorming. If you have an idea, get that raw thing- unadulterated in it’s potential shittiness- onto paper. Good art is a combination of both instinct and discipline, so you don’t want to entirely discount those lightning strikes of brilliance. Or idiocy. Happens to all of us.
- research and reference. Start gathering and internalizing whatever reference is pertinent to your piece- could be diagrams, art, photos, good old-fashioned READIN’, whathaveyou. Please note that this doesn’t mean find one picture of a giraffe- this means find tons of photos of giraffes, read about giraffes, understand giraffes, and learn how to incorporate that knowledge into your art with purpose and intent (Justin uses the word “intent” a lot so I’m stealing it). Don’t blindly copy what you see, but understand how to integrate it in an interesting and informed manner.
- studies and practice. Could be lumped in with the previous step, granted, but it’s worth reiterating- if you’re drawing something new, it’s worth doing some studies. You discover things that you wouldn’t otherwise by just staring at them. It’s weird how I’m still learning this- “Gee golly, six-shooters are way easier to draw now that I’ve drawn a ton of them!” Yes wow Claire BRILLIANT. Gold star.
- go for the gold. Finally, I’m sure it goes without saying, you integrate all of that research and knowledge into your initial thumbnails. If you learned something about anatomy, or fashion, or color, or butts, now you can drastically improve your original idea with this newfound knowledge. Also, per the images above, this is also your chance to improve on the reference- photos are a fantastic tool, but trust your instincts. Cameras can’t make informed decisions.
…So that’s my soapbox- it’s pretty easy, and it’s totally worth it. Research and reference lets you stand on the shoulders of giants- it lends legitimacy, specificity, and allure to your work that wouldn’t be there if you were just drawing out of your head 100% of the time. To put it simply- it makes your work ownable. It makes you stand out.
It makes you a better artist. :)
Icelandic descendants of Vikings singing a hymn in a German train station. They totally need to be on the next Thor soundtrack.
Oh man oh man oh man. 6 guys, and it FILLS THE SPACE. Luck of the architecture - and they know how to pull it off. Nothing is easy making vocal music in a space not built for it. I want to do this kind of thing - randomly perform multipart harmony in public spaces.
And it reminds me of Bjork: http://www.youtube.com/watch?v=TiN_YTyaNtI
My god this is beautiful.
Oh my god, the bass voice is superb.
This makes me feel so many things. Gods, it’s gorgeous and so evocative and wow. I need to find out what hymn this is.
It’s Hear, Heavenly Creator (I don’t know how that’s spelled in Icelandic, and I don’t have the characters on my keyboard for the letters anyway haha).
It’s… old as balls. Like 11th century old.
This is gorgeous.
Although I should point out that only the text is old as balls; the music is modern.